
{"id":747,"date":"2016-09-05T17:45:12","date_gmt":"2016-09-05T20:45:12","guid":{"rendered":"http:\/\/jornal.usp.br\/especial\/?page_id=747"},"modified":"2016-09-09T10:53:44","modified_gmt":"2016-09-09T13:53:44","slug":"pauloemilio","status":"publish","type":"page","link":"https:\/\/jornal.usp.br\/especial\/pauloemilio\/","title":{"rendered":"Paulo Emilio"},"content":{"rendered":"<div id=\"pl-747\"  class=\"panel-layout\" ><div id=\"pg-747-0\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-747-0\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-747-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-747-0-0-0\" class=\"so-panel widget widget_sow-hero panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-hero so-widget-sow-hero-default-69d0ff10a6d9-747 so-widget-fittext-wrapper\"\n\t\t\t data-fit-text-compressor=\"0.85\"\n\t\t>\t\t\t\t<div class=\"sow-slider-base\" style=\"display: none\" tabindex=\"0\">\n\t\t\t\t\t<ul\n\t\t\t\t\tclass=\"sow-slider-images\"\n\t\t\t\t\tdata-settings=\"{&quot;pagination&quot;:true,&quot;speed&quot;:800,&quot;timeout&quot;:8000,&quot;paused&quot;:false,&quot;pause_on_hover&quot;:false,&quot;swipe&quot;:true,&quot;nav_always_show_desktop&quot;:&quot;&quot;,&quot;nav_always_show_mobile&quot;:&quot;&quot;,&quot;breakpoint&quot;:&quot;780px&quot;,&quot;unmute&quot;:false,&quot;anchor&quot;:null}\"\n\t\t\t\t\t\t\t\t\t\tdata-anchor-id=\"\"\n\t\t\t\t>\t\t<li class=\"sow-slider-image\" style=\"visibility: visible;\" >\n\t\t\t\t\t<div class=\"sow-slider-image-container\">\n\t\t\t<div class=\"sow-slider-image-wrapper\">\n\t\t\t\t<h1><span style=\"font-size: 42px\"><strong>CENTEN\u00c1RIO<\/strong><\/span><br \/> <span style=\"font-size: 70px\"><b>Paulo Emilio<br \/> <\/b><\/span><\/h1><div style=\"max-width: 600px\"><p><span style=\"color: #ffffff\">O cr\u00edtico de cinema e professor da USP Paulo Emilio Salles Gomes (1916-1977) faria 100 anos no pr\u00f3ximo dia 17 de dezembro. A data j\u00e1 est\u00e1 sendo lembrada atrav\u00e9s de v\u00e1rios eventos na cidade de S\u00e3o Paulo.<\/span><\/p><p><span style=\"color: #ffffff\">Na USP, o Cinusp promove, de 5 de setembro a 2 de outubro, a mostra 100 Paulo Emilio, que exibir\u00e1 filmes analisados pelo cr\u00edtico em seus livros e artigos na imprensa, acompanhados de debates. A Cinemateca Brasileira \u2013 um dos grandes legados de Paulo Emilio \u2013 tamb\u00e9m participa das comemora\u00e7\u00f5es.<\/span><\/p><p><span style=\"color: #ffffff\">O <strong>Jornal da USP<\/strong> se associa a essas homenagens a Paulo Emilio com esta reportagem especial. Nela, o leitor encontrar\u00e1 detalhes sobre a mostra do Cinusp, a situa\u00e7\u00e3o atual da Cinemateca Brasileira e um perfil do cr\u00edtico, al\u00e9m de imagens hist\u00f3ricas e depoimentos de especialistas e ex-alunos de Paulo Emilio. \u201cEle foi um vision\u00e1rio\u201d, afirma a diretora da Cinemateca, Olga Futemma, sua ex-aluna.<\/span><\/p><p><span style=\"color: #ffffff\">A reportagem traz ainda uma sele\u00e7\u00e3o de livros escritos pelo cr\u00edtico, que reconstituem e analisam criticamente a produ\u00e7\u00e3o cinematogr\u00e1fica nacional. Um deles \u00e9 <em>Cinema, Trajet\u00f3ria no Subdesenvolvimento<\/em>, em que Paulo Emilio relaciona a hist\u00f3ria do cinema nacional com a hist\u00f3ria do Brasil.<\/span><\/p><p><span style=\"color: #ffffff\">Com textos, fotografias e v\u00eddeos, esta reportagem especial \u00e9 uma contribui\u00e7\u00e3o do <strong>Jornal da USP<\/strong> para a preserva\u00e7\u00e3o da mem\u00f3ria de um dos mais combativos professores da USP em favor da cultura brasileira.<\/span><\/p><\/div><div class=\"fb-like\" data-href=\"http:\/\/jornal.usp.br\/especial\/olimpiadas\/\" data-layout=\"button_count\" data-action=\"like\" data-size=\"large\" data-show-faces=\"true\" data-share=\"true\">\u00a0<\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/li>\n\t\t<\/ul>\t\t\t\t<ol class=\"sow-slider-pagination\">\n\t\t\t\t\t\t\t\t\t\t\t<li><a href=\"#\" data-goto=\"0\" aria-label=\"display slide 1\"><\/a><\/li>\n\t\t\t\t\t\t\t\t\t<\/ol>\n\n\t\t\t\t<div class=\"sow-slide-nav sow-slide-nav-next\">\n\t\t\t\t\t<a href=\"#\" data-goto=\"next\" aria-label=\"next slide\" data-action=\"next\">\n\t\t\t\t\t\t<em class=\"sow-sld-icon-thin-right\"><\/em>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t<div class=\"sow-slide-nav sow-slide-nav-prev\">\n\t\t\t\t\t<a href=\"#\" data-goto=\"previous\" aria-label=\"previous slide\" data-action=\"prev\">\n\t\t\t\t\t\t<em class=\"sow-sld-icon-thin-left\"><\/em>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-747-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-747-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-747-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h1 class=\"widget-title\" style=\"font-size: 35px;\">Mostra Cinusp<\/h1>\n<h3 style=\"font-size: 20px;\"><span style=\"color: #333333;\">O Cinema da USP (Cinusp) promove, de 5 de setembro a 2 de outubro, a mostra <em>100 Paulo Emilio<\/em>, que exibir\u00e1 filmes analisados pelo cr\u00edtico em seus livros e artigos na imprensa, acompanhados de debates.<\/span> <a href=\"http:\/\/jornal.usp.br\/cultura\/cinusp-promove-mostra-de-filmes-em-homenagem-a-paulo-emilio\">Leia mais<\/a><\/h3>\n<div id=\"metaslider-id-778\" style=\"width: 100%; margin: 0 auto;\" class=\"ml-slider-3-61-0 metaslider metaslider-flex metaslider-778 ml-slider ms-theme-default\" role=\"region\" aria-roledescription=\"Slideshow\" aria-label=\"Paulo Emilio - Mostra Cinusp\">\n    <div id=\"metaslider_container_778\">\n        <div id=\"metaslider_778\">\n            <ul aria-live=\"polite\" class=\"slides\">\n                <li style=\"display: none; width: 100%;\" class=\"slide-779 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-779\"><a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\" target=\"_blank\"><img decoding=\"async\" width=\"350\" height=\"513\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-02-bang-bang.jpg\" class=\"slider-778 slide-779\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 99.95126705653%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-02-bang-bang.jpg 350w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-02-bang-bang-205x300.jpg 205w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-780 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-780\"><a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\" target=\"_blank\"><img decoding=\"async\" width=\"350\" height=\"513\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-03-candinho.jpg\" class=\"slider-778 slide-780\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 99.95126705653%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-03-candinho.jpg 350w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-03-candinho-205x300.jpg 205w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-781 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-781\"><a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"513\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-04-Carnaval.jpg\" class=\"slider-778 slide-781\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 99.95126705653%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-04-Carnaval.jpg 350w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-04-Carnaval-205x300.jpg 205w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-782 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-782\"><a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"513\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-05-deus-e-o-diabo.jpg\" class=\"slider-778 slide-782\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 99.95126705653%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-05-deus-e-o-diabo.jpg 350w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-05-deus-e-o-diabo-205x300.jpg 205w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-783 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-783\"><a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"513\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-06-Macunaima.jpg\" class=\"slider-778 slide-783\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 99.95126705653%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-06-Macunaima.jpg 350w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-06-Macunaima-205x300.jpg 205w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-784 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-784\"><a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"513\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-07-Cangaceiro.jpg\" class=\"slider-778 slide-784\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 99.95126705653%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-07-Cangaceiro.jpg 350w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-07-Cangaceiro-205x300.jpg 205w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-785 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-785\"><a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"513\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-08-pagador-de-promessa.jpg\" class=\"slider-778 slide-785\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 99.95126705653%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-08-pagador-de-promessa.jpg 350w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-08-pagador-de-promessa-205x300.jpg 205w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-786 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-786\"><a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"513\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-09-Terra.jpg\" class=\"slider-778 slide-786\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 99.95126705653%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-09-Terra.jpg 350w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-09-Terra-205x300.jpg 205w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-787 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-787\"><a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"513\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-10.jpg\" class=\"slider-778 slide-787\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 99.95126705653%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-10.jpg 350w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-10-205x300.jpg 205w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-788 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-788\"><a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"513\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-01-A-Ilha-.jpg\" class=\"slider-778 slide-788\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 99.95126705653%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-01-A-Ilha-.jpg 350w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/filme-01-A-Ilha--205x300.jpg 205w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><div class=\"caption-wrap\"><div class=\"caption\">DEDE<\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-747-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-747-2\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-747-2-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-747-2-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-747-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div class=\"panel-widget-style panel-widget-style-for-747-2-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h1 class=\"widget-title\" style=\"font-size: 35px; color: #fff;\">Eventos em mem\u00f3ria do cr\u00edtico e professor da USP<\/h1>\n<h3 style=\"font-size: 20px; color: #fff;\">Al\u00e9m da mostra 100 Paulo Emilio, apresentada pelo Cinema da USP (Cinusp), uma s\u00e9rie de eventos ser\u00e1 realizada em setembro e nos pr\u00f3ximos meses, na cidade de S\u00e3o Paulo, em comemora\u00e7\u00e3o ao centen\u00e1rio do cr\u00edtico de cinema e professor da USP Paulo Emilio Salles Gomes. <a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\">Leia mais<\/a>.<\/h3>\n<p><a href=\"http:\/\/jornal.usp.br\/cultura\/eventos-em-memoria-do-critico-e-professor-da-usp-tomam-sao-paulo\"><img fetchpriority=\"high\" fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-863\" src=\"http:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/locais_eventos.png\" alt=\"locais_eventos\" width=\"902\" height=\"187\" data-id=\"863\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/locais_eventos.png 902w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/locais_eventos-300x62.png 300w\" sizes=\"(max-width: 902px) 100vw, 902px\" \/><\/a><br \/> .<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-747-2-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-747-3\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-747-3\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-747-3-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-747-3-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-747-3-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-747-3-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h1 class=\"widget-title\" style=\"font-size: 35px;\">Um perfil de Paulo Emilio<\/h1>\n<h3 style=\"font-size: 20px;\"><span style=\"color: #333333;\">Paulo Emilio Salles Gomes (1916-1977) \u00e9 conhecido, dentre outras coisas, como um intelectual, cr\u00edtico, professor de cinema e fundador da Cinemateca Brasileira. Por tr\u00e1s de todos esses atributos est\u00e1 uma caracter\u00edstica que o marcou por toda a vida: a milit\u00e2ncia. <a href=\"http:\/\/jornal.usp.br\/cultura\/intelectual-militante-paulo-emilio-buscou-pensar-o-brasil-atraves-do-cinema\" target=\"_blank\">Leia mais<\/a><\/span><\/h3>\n<div id=\"metaslider-id-875\" style=\"width: 100%; margin: 0 auto;\" class=\"ml-slider-3-61-0 metaslider metaslider-flex metaslider-875 ml-slider ms-theme-default\" role=\"region\" aria-roledescription=\"Slideshow\" aria-label=\"Perfil\">\n    <div id=\"metaslider_container_875\">\n        <div id=\"metaslider_875\">\n            <ul aria-live=\"polite\" class=\"slides\">\n                <li style=\"display: none; width: 100%;\" class=\"slide-837 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-837\"><img loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/02.-Sonia_-Se\u0301rgio-Lima_-Ruda\u0301-de-Andrade_-Paulo-Emi\u0301lio_-Benedito-Junqueira-Duarte_-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-837\" alt=\"\" rel=\"\" title=\"\" style=\"margin-top: 4.1900545497668%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/02.-Sonia_-Se\u0301rgio-Lima_-Ruda\u0301-de-Andrade_-Paulo-Emi\u0301lio_-Benedito-Junqueira-Duarte_-Credito-Acervo-Cinemateca-Brasileira.jpg 695w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/02.-Sonia_-Se\u0301rgio-Lima_-Ruda\u0301-de-Andrade_-Paulo-Emi\u0301lio_-Benedito-Junqueira-Duarte_-Credito-Acervo-Cinemateca-Brasileira-300x173.jpg 300w\" sizes=\"(max-width: 695px) 100vw, 695px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Sonia, S\u00e9rgio Lima, Rud\u00e1 de Andrade, Paulo Emilio e Benedito Junqueira Duarte - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-839 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-839\"><img loading=\"lazy\" decoding=\"async\" width=\"313\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/04.-Erich-von-Stroheim-a-atriz-Denise-Vernac-seguido-de-Paulo-Emi\u0301lio_-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-839\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 51.593406593407%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/04.-Erich-von-Stroheim-a-atriz-Denise-Vernac-seguido-de-Paulo-Emi\u0301lio_-Credito-Acervo-Cinemateca-Brasileira.jpg 313w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/04.-Erich-von-Stroheim-a-atriz-Denise-Vernac-seguido-de-Paulo-Emi\u0301lio_-Credito-Acervo-Cinemateca-Brasileira-235x300.jpg 235w\" sizes=\"(max-width: 313px) 100vw, 313px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Erich von Stroheim e a atriz Denise Vernac, seguidos de Paulo Emilio - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-840 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-840\"><img loading=\"lazy\" decoding=\"async\" width=\"574\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/05.-No-III-Congresso-da-FIAF-em-Copenhague-Dinamarca_-Paulo-Emi\u0301lio-Sales-Gomes_-com-um-cigarro-na-boca._-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-840\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 94.615384615385%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/05.-No-III-Congresso-da-FIAF-em-Copenhague-Dinamarca_-Paulo-Emi\u0301lio-Sales-Gomes_-com-um-cigarro-na-boca._-Credito-Acervo-Cinemateca-Brasileira.jpg 574w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/05.-No-III-Congresso-da-FIAF-em-Copenhague-Dinamarca_-Paulo-Emi\u0301lio-Sales-Gomes_-com-um-cigarro-na-boca._-Credito-Acervo-Cinemateca-Brasileira-300x209.jpg 300w\" sizes=\"(max-width: 574px) 100vw, 574px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio Salles Gomes, com um cigarro na boca, no III Congresso da FIAF em Copenhague, Dinamarca - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-841 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-841\"><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/06.-Rolando-Fustin\u0303ana-Almeida-Salles_-Euge\u0302nio-Hintz_-Paulo-Emi\u0301lio_-Antonio-Gromponi_-Senhora-Fustin\u0303ana-e-Julio-Arteag_-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-841\" alt=\"\" rel=\"\" title=\"\" style=\"margin-top: 1.6681284286918%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/06.-Rolando-Fustin\u0303ana-Almeida-Salles_-Euge\u0302nio-Hintz_-Paulo-Emi\u0301lio_-Antonio-Gromponi_-Senhora-Fustin\u0303ana-e-Julio-Arteag_-Credito-Acervo-Cinemateca-Brasileira.jpg 639w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/06.-Rolando-Fustin\u0303ana-Almeida-Salles_-Euge\u0302nio-Hintz_-Paulo-Emi\u0301lio_-Antonio-Gromponi_-Senhora-Fustin\u0303ana-e-Julio-Arteag_-Credito-Acervo-Cinemateca-Brasileira-300x188.jpg 300w\" sizes=\"(max-width: 639px) 100vw, 639px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Rolando Fustin\u0303ana Almeida Salles, Euge\u0302nio Hintz, Paulo Emilio,  Antonio Gromponi, Senhora Fustin\u0303ana e Julio Arteag - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-843 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-843\"><img loading=\"lazy\" decoding=\"async\" width=\"715\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/08-Paulo-Emilio_-canto-direito_-IX-Congrsso-da-FIAF-1955-Varsovia-Polonia_-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-843\" alt=\"\" rel=\"\" title=\"\" style=\"margin-top: 4.995004995005%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/08-Paulo-Emilio_-canto-direito_-IX-Congrsso-da-FIAF-1955-Varsovia-Polonia_-Credito-Acervo-Cinemateca-Brasileira.jpg 715w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/08-Paulo-Emilio_-canto-direito_-IX-Congrsso-da-FIAF-1955-Varsovia-Polonia_-Credito-Acervo-Cinemateca-Brasileira-300x168.jpg 300w\" sizes=\"(max-width: 715px) 100vw, 715px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio (canto direito), no IX Congresso da FIAF, 1955, em Vars\u00f3via - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-842 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-842\"><img loading=\"lazy\" decoding=\"async\" width=\"631\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/07-Paulo-Emi\u0301lio-ao-centro-fumando-a-esquerda-de-oculos-Jerzy-Toeplitz_-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-842\" alt=\"\" rel=\"\" title=\"\" style=\"margin-top: 1.2713118893784%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/07-Paulo-Emi\u0301lio-ao-centro-fumando-a-esquerda-de-oculos-Jerzy-Toeplitz_-Credito-Acervo-Cinemateca-Brasileira.jpg 631w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/07-Paulo-Emi\u0301lio-ao-centro-fumando-a-esquerda-de-oculos-Jerzy-Toeplitz_-Credito-Acervo-Cinemateca-Brasileira-300x190.jpg 300w\" sizes=\"(max-width: 631px) 100vw, 631px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio ao centro, fumando; \u00e0 esquerda, de \u00f3culos, Jerzy Toeplitz - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-844 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-844\"><img loading=\"lazy\" decoding=\"async\" width=\"285\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/09.-Paulo-Emi\u0301lio_-Guillermo-Hohagen_-Julieta-Barbara_-Oswald-de-Andrade-e-seu-filho-Ruda\u0301_-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-844\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 46.978021978022%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/09.-Paulo-Emi\u0301lio_-Guillermo-Hohagen_-Julieta-Barbara_-Oswald-de-Andrade-e-seu-filho-Ruda\u0301_-Credito-Acervo-Cinemateca-Brasileira.jpg 285w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/09.-Paulo-Emi\u0301lio_-Guillermo-Hohagen_-Julieta-Barbara_-Oswald-de-Andrade-e-seu-filho-Ruda\u0301_-Credito-Acervo-Cinemateca-Brasileira-214x300.jpg 214w\" sizes=\"(max-width: 285px) 100vw, 285px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio Salles Gomes, Julieta Barbara, Oswald de Andrade e Rud\u00e1 de Andrade - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-845 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-845\"><img loading=\"lazy\" decoding=\"async\" width=\"252\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/10.-Andrea-Caffi-e-Paulo-Emi\u0301lio-em-Paris_-boulevard-Saint-Michel_-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-845\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 41.538461538462%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/10.-Andrea-Caffi-e-Paulo-Emi\u0301lio-em-Paris_-boulevard-Saint-Michel_-Credito-Acervo-Cinemateca-Brasileira.jpg 252w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/10.-Andrea-Caffi-e-Paulo-Emi\u0301lio-em-Paris_-boulevard-Saint-Michel_-Credito-Acervo-Cinemateca-Brasileira-189x300.jpg 189w\" sizes=\"(max-width: 252px) 100vw, 252px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Andrea Caffi e Paulo Emilio no boulevard Saint Michel, em Paris - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-848 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-848\"><img loading=\"lazy\" decoding=\"async\" width=\"593\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/13.-Paulo-Emi\u0301lio-e-De\u0301cio-de-Almeida-Prado_-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-848\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 97.747252747253%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/13.-Paulo-Emi\u0301lio-e-De\u0301cio-de-Almeida-Prado_-Credito-Acervo-Cinemateca-Brasileira.jpg 593w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/13.-Paulo-Emi\u0301lio-e-De\u0301cio-de-Almeida-Prado_-Credito-Acervo-Cinemateca-Brasileira-300x202.jpg 300w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/13.-Paulo-Emi\u0301lio-e-De\u0301cio-de-Almeida-Prado_-Credito-Acervo-Cinemateca-Brasileira-272x182.jpg 272w\" sizes=\"(max-width: 593px) 100vw, 593px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio e De\u0301cio de Almeida Prado - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-847 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-847\"><img loading=\"lazy\" decoding=\"async\" width=\"299\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/12.-Gustavo-Dahl_-Caio-Scheiby_-Henri-Langlois-e-Paulo-Emi\u0301lio-1962_-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-847\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 49.285714285714%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/12.-Gustavo-Dahl_-Caio-Scheiby_-Henri-Langlois-e-Paulo-Emi\u0301lio-1962_-Credito-Acervo-Cinemateca-Brasileira.jpg 299w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/12.-Gustavo-Dahl_-Caio-Scheiby_-Henri-Langlois-e-Paulo-Emi\u0301lio-1962_-Credito-Acervo-Cinemateca-Brasileira-224x300.jpg 224w\" sizes=\"(max-width: 299px) 100vw, 299px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Gustavo Dahl, Caio Scheiby, Henri Langlois e Paulo Emilio, 1962 - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-849 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-849\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/14.-Paulo-Emi\u0301lio-acompanha-filmagem._-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-849\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 98.901098901099%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/14.-Paulo-Emi\u0301lio-acompanha-filmagem._-Credito-Acervo-Cinemateca-Brasileira.jpg 600w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/14.-Paulo-Emi\u0301lio-acompanha-filmagem._-Credito-Acervo-Cinemateca-Brasileira-300x200.jpg 300w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/14.-Paulo-Emi\u0301lio-acompanha-filmagem._-Credito-Acervo-Cinemateca-Brasileira-272x182.jpg 272w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio acompanha filmagem - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-850 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-850\"><img loading=\"lazy\" decoding=\"async\" width=\"267\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/15.-Paulo-Emilio-Salles-Gomes-durante-aula-na-ECA-pensador-do-cinema_-Foto-reproduc\u0327a\u0303o-01.jpg\" class=\"slider-875 slide-850\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 44.010989010989%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/15.-Paulo-Emilio-Salles-Gomes-durante-aula-na-ECA-pensador-do-cinema_-Foto-reproduc\u0327a\u0303o-01.jpg 267w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/15.-Paulo-Emilio-Salles-Gomes-durante-aula-na-ECA-pensador-do-cinema_-Foto-reproduc\u0327a\u0303o-01-200x300.jpg 200w\" sizes=\"(max-width: 267px) 100vw, 267px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio Salles Gomes durante aula na ECA - Foto: reproduc\u0327a\u0303o<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-851 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-851\"><img loading=\"lazy\" decoding=\"async\" width=\"254\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/16.-Paulo-Emilio-Salles-Gomes-e-Ligia-Fagundes-Telles_-De\u0301c-60.jpg\" class=\"slider-875 slide-851\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 41.868131868132%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/16.-Paulo-Emilio-Salles-Gomes-e-Ligia-Fagundes-Telles_-De\u0301c-60.jpg 254w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/16.-Paulo-Emilio-Salles-Gomes-e-Ligia-Fagundes-Telles_-De\u0301c-60-191x300.jpg 191w\" sizes=\"(max-width: 254px) 100vw, 254px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio Salles Gomes e Ligia Fagundes Telles, na d\u00e9cada de 60 - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-852 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-852\"><img loading=\"lazy\" decoding=\"async\" width=\"296\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/17.-Paulo-Emilio-No-Carlitos-classico..-Credito-Acervo-Cinemateca-Brasileira.jpg\" class=\"slider-875 slide-852\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 48.791208791209%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/17.-Paulo-Emilio-No-Carlitos-classico..-Credito-Acervo-Cinemateca-Brasileira.jpg 296w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/17.-Paulo-Emilio-No-Carlitos-classico..-Credito-Acervo-Cinemateca-Brasileira-222x300.jpg 222w\" sizes=\"(max-width: 296px) 100vw, 296px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio no Carlitos cl\u00e1ssico - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-854 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-854\"><img loading=\"lazy\" decoding=\"async\" width=\"255\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/19.-Paulo-Emilio-no-campus-da-Universidade-de-Sa\u0303o-Paulo-Credito-Acervo-Cinemateca-Brasileira.jpeg\" class=\"slider-875 slide-854\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 42.032967032967%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/19.-Paulo-Emilio-no-campus-da-Universidade-de-Sa\u0303o-Paulo-Credito-Acervo-Cinemateca-Brasileira.jpeg 255w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/19.-Paulo-Emilio-no-campus-da-Universidade-de-Sa\u0303o-Paulo-Credito-Acervo-Cinemateca-Brasileira-191x300.jpeg 191w\" sizes=\"(max-width: 255px) 100vw, 255px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio no campus da Universidade de Sa\u0303o Paulo - Foto: Acervo Cinemateca <\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-855 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-855\"><img loading=\"lazy\" decoding=\"async\" width=\"327\" height=\"450\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/20.-Paulo-Emilio-Salles-Gomes-e-Ligia-Fagundes-Telles_-Reproduc\u0327ao.jpg\" class=\"slider-875 slide-855\" alt=\"\" rel=\"\" title=\"\" style=\"margin: 0 auto; width: 47.912087912088%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/20.-Paulo-Emilio-Salles-Gomes-e-Ligia-Fagundes-Telles_-Reproduc\u0327ao.jpg 327w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/20.-Paulo-Emilio-Salles-Gomes-e-Ligia-Fagundes-Telles_-Reproduc\u0327ao-218x300.jpg 218w\" sizes=\"(max-width: 327px) 100vw, 327px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio e Ligia Fagundes Telles - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-856 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-856\"><img loading=\"lazy\" decoding=\"async\" width=\"607\" height=\"400\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/23.-Paulo-Emilio-De-repente-despontou-nele-uma-nova-paixa\u0303o-a-poli\u0301tica-de-esquerda_-Credito-Acervo-Cinemateca-Brasileira.jpeg\" class=\"slider-875 slide-856\" alt=\"\" rel=\"\" title=\"\" style=\"margin-top: 0.018103807230663%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/23.-Paulo-Emilio-De-repente-despontou-nele-uma-nova-paixa\u0303o-a-poli\u0301tica-de-esquerda_-Credito-Acervo-Cinemateca-Brasileira.jpeg 607w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/23.-Paulo-Emilio-De-repente-despontou-nele-uma-nova-paixa\u0303o-a-poli\u0301tica-de-esquerda_-Credito-Acervo-Cinemateca-Brasileira-300x198.jpeg 300w\" sizes=\"(max-width: 607px) 100vw, 607px\" \/><div class=\"caption-wrap\"><div class=\"caption\">Paulo Emilio e a paix\u00e3o pol\u00edtica pela esquerda - Foto: Acervo Cinemateca Brasileira<\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-747-3-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-747-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-747-4\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-747-4-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-747-4-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-747-4-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div class=\"panel-widget-style panel-widget-style-for-747-4-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h1 class=\"widget-title\" style=\"font-size: 35px;\">Cinemateca Brasileira<\/h1>\n<h3 style=\"font-size: 20px;\"><span style=\"color: #333333;\">Em 2016, ano em que se comemora o centen\u00e1rio do cr\u00edtico de cinema e professor da USP Paulo Emilio Salles Gomes, a Cinemateca Brasileira, um de seus grandes legados \u00e0 cultura nacional, tamb\u00e9m faz anivers\u00e1rio. <a href=\"http:\/\/jornal.usp.br\/cultura\/cinemateca-brasileira-conserva-45-mil-obras-cinematograficas\">Leia mais<\/a>.<\/span><\/h3>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-747-4-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-747-5\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-747-5\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-747-5-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-747-5-1\"  class=\"panel-grid-cell\" ><div id=\"panel-747-5-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span style=\"color: #000000;\">.<\/span><\/p>\n<h3 style=\"font-size: 28px; color: #fff;\">Paulo Emilio professor<\/h3>\n<p><iframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/JnTWJT75gSk?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-747-5-2\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-747-5-2-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"6\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span style=\"color: #000000;\">.<\/span><\/p>\n<h3 style=\"font-size: 28px; color: #fff;\">O legado de Paulo Emilio<\/h3>\n<p><iframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/S5CwesbSvoc?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-747-5-3\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-747-6\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-747-6-0\"  class=\"panel-grid-cell\" ><div id=\"panel-747-6-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h1 class=\"widget-title\" style=\"font-size: 35px;\">Linha do tempo<\/h1>\n<div id=\"metaslider-id-901\" style=\"width: 100%; margin: 0 auto;\" class=\"ml-slider-3-61-0 metaslider metaslider-flex metaslider-901 ml-slider ms-theme-default\" role=\"region\" aria-roledescription=\"Slideshow\" aria-label=\"Linha do Tempo\">\n    <div id=\"metaslider_container_901\">\n        <div id=\"metaslider_901\">\n            <ul aria-live=\"polite\" class=\"slides\">\n                <li style=\"display: none; width: 100%;\" class=\"slide-895 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-895\"><img loading=\"lazy\" decoding=\"async\" width=\"1089\" height=\"360\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-1.jpg\" class=\"slider-901 slide-895\" alt=\"\" rel=\"\" title=\"\" style=\"margin-top: 0.023808755165289%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-1.jpg 1089w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-1-300x99.jpg 300w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-1-1024x339.jpg 1024w\" sizes=\"(max-width: 1089px) 100vw, 1089px\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-896 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-896\"><img loading=\"lazy\" decoding=\"async\" width=\"1089\" height=\"360\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-2.jpg\" class=\"slider-901 slide-896\" alt=\"\" rel=\"\" title=\"\" style=\"margin-top: 0.023808755165289%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-2.jpg 1089w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-2-300x99.jpg 300w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-2-1024x339.jpg 1024w\" sizes=\"(max-width: 1089px) 100vw, 1089px\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-897 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-897\"><img loading=\"lazy\" decoding=\"async\" width=\"1089\" height=\"360\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-3.jpg\" class=\"slider-901 slide-897\" alt=\"\" rel=\"\" title=\"\" style=\"margin-top: 0.023808755165289%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-3.jpg 1089w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-3-300x99.jpg 300w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-3-1024x339.jpg 1024w\" sizes=\"(max-width: 1089px) 100vw, 1089px\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-898 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-898\"><img loading=\"lazy\" decoding=\"async\" width=\"1089\" height=\"360\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-4.jpg\" class=\"slider-901 slide-898\" alt=\"\" rel=\"\" title=\"\" style=\"margin-top: 0.023808755165289%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-4.jpg 1089w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-4-300x99.jpg 300w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-4-1024x339.jpg 1024w\" sizes=\"(max-width: 1089px) 100vw, 1089px\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-899 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-899\"><img loading=\"lazy\" decoding=\"async\" width=\"1089\" height=\"360\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-5.jpg\" class=\"slider-901 slide-899\" alt=\"\" rel=\"\" title=\"\" style=\"margin-top: 0.023808755165289%\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-5.jpg 1089w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-5-300x99.jpg 300w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/linha_do_tempo_PE-5-1024x339.jpg 1024w\" sizes=\"(max-width: 1089px) 100vw, 1089px\" \/><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-747-7\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-747-7-0\"  class=\"panel-grid-cell\" ><div id=\"panel-747-7-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"8\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h1 class=\"widget-title\" style=\"font-size: 35px;\">Paulo Emilio imprimiu a sua paix\u00e3o em livros<\/h1>\n<p><span style=\"color: #333333;\">N\u00e3o d\u00e1 para entender a dimens\u00e3o do cinema brasileiro sem ler <em>70 Anos do Cinema Brasileiro<\/em>, de Paulo Emilio Salles Gomes, em parceria com o cineasta Adhemar Gonzaga. Lan\u00e7ado pela primeira vez em 1966 pela Editora Express\u00e3o e Cultura, \u00e9 considerado um cl\u00e1ssico da hist\u00f3ria do cinema nacional. <a href=\"http:\/\/jornal.usp.br\/cultura\/paulo-emilio-imprimiu-a-sua-paixao-em-livros\" target=\"_blank\">Leia mais<\/a><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-747-8\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-747-8\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-747-8-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-747-8-1\"  class=\"panel-grid-cell\" ><div id=\"panel-747-8-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>.<\/p>\n<h3 style=\"font-size: 20px; color: #fff;\">Jean Vigo<\/h3>\n<p><iframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/EPZVzwLUI1M?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n.<\/p>\n<h3 style=\"font-size: 20px; color: #fff;\">Humberto Mauro, Cataguases, Cinearte<\/h3>\n<p><iframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/tKHjWlMD6aw?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-747-8-2\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-747-8-2-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"10\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>.<\/p>\n<h3 style=\"font-size: 20px; color: #fff;\">Cinema trajet\u00f3ria no subdesenvolvimento<\/h3>\n<p><iframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/YPRVYL37O0M?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n.<\/p>\n<h3 style=\"font-size: 20px; color: #fff;\">Tr\u00eas mulheres de tr\u00eas PPP\u00eas<\/h3>\n<p><iframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/K1xL_zujY7c?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-747-8-3\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-747-9\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-747-9-0\"  class=\"panel-grid-cell\" ><div id=\"panel-747-9-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-747\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"http:\/\/jornal.usp.br\/cultura\/paulo-emilio-imprimiu-a-sua-paixao-em-livros\"\n\t\t\t\t\t>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_Chaplin.jpg\" width=\"351\" height=\"502\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_Chaplin.jpg 351w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_Chaplin-210x300.jpg 210w\" sizes=\"(max-width: 351px) 100vw, 351px\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-747-9-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"12\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em><strong>O Cinema no S\u00e9culo, organiza\u00e7\u00e3o Carlos Augusto Calil, Cia das Letras, 2015<\/strong> <\/em>\u2013 Colet\u00e2nea de artigos publicados nos jornais de 1941 a 1970 sob a edi\u00e7\u00e3o de Carlos Augusto Calil e Adilson Mendes. O livro abre o projeto de reedi\u00e7\u00e3o da obra de Paulo Em\u00edlio pela editora.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-747-9-1\"  class=\"panel-grid-cell\" ><div id=\"panel-747-9-1-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-747\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"http:\/\/jornal.usp.br\/cultura\/paulo-emilio-imprimiu-a-sua-paixao-em-livros\"\n\t\t\t\t\t>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_cemiterio.png\" width=\"351\" height=\"498\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_cemiterio.png 351w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_cemiterio-211x300.png 211w\" sizes=\"(max-width: 351px) 100vw, 351px\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-747-9-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"14\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em><strong>Cemit\u00e9rio, Cosac Naify, 2007<\/strong><\/em> \u2013 Paulo Em\u00edlio estava escrevendo o livro que alia fic\u00e7\u00e3o \u00e0 mem\u00f3ria pol\u00edtica, por\u00e9m morreu sem terminar. Trinta anos depois, o manuscrito foi reencontrado e organizado por Carlos Augusto Calil, que assina o posf\u00e1cio.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-747-9-2\"  class=\"panel-grid-cell\" ><div id=\"panel-747-9-2-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-747\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"http:\/\/jornal.usp.br\/cultura\/paulo-emilio-imprimiu-a-sua-paixao-em-livros\"\n\t\t\t\t\t>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_capitu.jpg\" width=\"351\" height=\"500\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_capitu.jpg 351w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_capitu-211x300.jpg 211w\" sizes=\"(max-width: 351px) 100vw, 351px\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-747-9-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"16\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em><strong>Capitu, editora Cosac Naify, 2008<\/strong><\/em> \u2013 Roteiro para cinema escrito por Paulo Em\u00edlio Salles Gomes e Lygia Fagundes Telles, com que foi casado. \u00c9 uma adapta\u00e7\u00e3o do romance de Machado de Assis, Dom Casmurro, filmado por Paulo C\u00e9sar Saraceni em 1968.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-747-9-3\"  class=\"panel-grid-cell\" ><div id=\"panel-747-9-3-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-747\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"http:\/\/jornal.usp.br\/cultura\/paulo-emilio-imprimiu-a-sua-paixao-em-livros\"\n\t\t\t\t\t>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_tresmulheres.jpg\" width=\"351\" height=\"500\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_tresmulheres.jpg 351w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_tresmulheres-211x300.jpg 211w\" sizes=\"(max-width: 351px) 100vw, 351px\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-747-9-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"18\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><strong><em>Tr\u00eas Mulheres de Tr\u00eas Ppp\u00eas, Cosac Naify, 2007<\/em><\/strong> \u2013 Tr\u00eas novelas que apresentam tr\u00eas anti-hero\u00ednas sob a livre imagina\u00e7\u00e3o de Paulo Em\u00edlio quando tinha 60 anos . As hist\u00f3rias se passam na S\u00e3o Paulo de 1940 e retratando elementos do cotidiano e da burguesia paulista.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-747-10\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-747-10-0\"  class=\"panel-grid-cell\" ><div id=\"panel-747-10-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-747\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"http:\/\/jornal.usp.br\/cultura\/paulo-emilio-imprimiu-a-sua-paixao-em-livros\"\n\t\t\t\t\t>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_vigo.png\" width=\"351\" height=\"499\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_vigo.png 351w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_vigo-211x300.png 211w\" sizes=\"(max-width: 351px) 100vw, 351px\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-747-10-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"20\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><strong><em>Vigo, Vulgo Almereyda, Companhia das Letras, 1991<\/em><\/strong> \u2013 Traz o perfil de Miguel Almereyda, pai de Jean Vigo e militante da esquerda francesa. Paulo Em\u00edlio reconstitui a trajet\u00f3ria de Vigo na Paris da virada do s\u00e9culo at\u00e9 o seu final tr\u00e1gico.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-747-10-1\"  class=\"panel-grid-cell\" ><div id=\"panel-747-10-1-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-747\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"http:\/\/jornal.usp.br\/cultura\/paulo-emilio-imprimiu-a-sua-paixao-em-livros\"\n\t\t\t\t\t>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_cinema.png\" width=\"351\" height=\"500\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_cinema.png 351w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_cinema-211x300.png 211w\" sizes=\"(max-width: 351px) 100vw, 351px\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-747-10-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"22\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em><strong>Humberto Mauro, Cataguases, Cinearte, Editora Perspectiva, 1974<\/strong><\/em> \u2013 A carreira do cineasta, um dos pioneiros do cinema brasileiro, \u00e9 recriada por Paulo Em\u00edlio. Como bem assinalou, Alfredo Bosi, o livro traz observa\u00e7\u00f5es agudas sobre o significado da t\u00e9cnica em Humberto Mauro, \u201cque n\u00e3o era propriamente intelectual, mas organizadora feliz de recursos artesanais...\u201d<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-747-10-2\"  class=\"panel-grid-cell\" ><div id=\"panel-747-10-2-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-747\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"http:\/\/jornal.usp.br\/cultura\/paulo-emilio-imprimiu-a-sua-paixao-em-livros\"\n\t\t\t\t\t>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_verde.jpg\" width=\"351\" height=\"496\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_verde.jpg 351w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_verde-212x300.jpg 212w\" sizes=\"(max-width: 351px) 100vw, 351px\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-747-10-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"24\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em><strong>Cinema, Trajet\u00f3ria no Subdesenvolvimento, Editora Paz e Terra, 1986<\/strong><\/em> \u2013 O livro apresenta a hist\u00f3ria do cinema contextualizada com a hist\u00f3ria do Brasil. Paulo Em\u00edlio afirma que \u201co subdesenvolvimento n\u00e3o \u00e9 uma fase, mas um estado de ser\u201d.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-747-10-3\"  class=\"panel-grid-cell\" ><div id=\"panel-747-10-3-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-747\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"http:\/\/jornal.usp.br\/cultura\/paulo-emilio-imprimiu-a-sua-paixao-em-livros\"\n\t\t\t\t\t>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_glauber_rocha.jpg\" width=\"351\" height=\"499\" srcset=\"https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_glauber_rocha.jpg 351w, https:\/\/jornal.usp.br\/especial\/wp-content\/uploads\/l_glauber_rocha-211x300.jpg 211w\" sizes=\"(max-width: 351px) 100vw, 351px\" alt=\"\" loading=\"lazy\" \t\tclass=\"so-widget-image\"\/>\n\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-747-10-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"26\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em><strong>Glauber Rocha , Editora Paz e Terra, 1977<\/strong><\/em> - Paulo Em\u00edlio assina o pref\u00e1cio deste livro. Traz dois artigos de cr\u00edticos de cinema brasileiros e tr\u00eas de estrangeiros em uma an\u00e1lise sobre o trabalho do cineasta.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Mostra CinuspO Cinema da USP (Cinusp) promove, de 5 de setembro a 2 de outubro, a mostra 100 Paulo Emilio, que exibir\u00e1 filmes analisados pelo cr\u00edtico em seus livros e artigos na imprensa, acompanhados de debates. Leia mais<\/p>\n","protected":false},"author":4,"featured_media":774,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth-no-title.php","meta":{"episode_type":"","audio_file":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","date_recorded":"","explicit":"","block":"","filesize_raw":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/jornal.usp.br\/especial\/wp-json\/wp\/v2\/pages\/747"}],"collection":[{"href":"https:\/\/jornal.usp.br\/especial\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jornal.usp.br\/especial\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jornal.usp.br\/especial\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/jornal.usp.br\/especial\/wp-json\/wp\/v2\/comments?post=747"}],"version-history":[{"count":96,"href":"https:\/\/jornal.usp.br\/especial\/wp-json\/wp\/v2\/pages\/747\/revisions"}],"predecessor-version":[{"id":934,"href":"https:\/\/jornal.usp.br\/especial\/wp-json\/wp\/v2\/pages\/747\/revisions\/934"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jornal.usp.br\/especial\/wp-json\/wp\/v2\/media\/774"}],"wp:attachment":[{"href":"https:\/\/jornal.usp.br\/especial\/wp-json\/wp\/v2\/media?parent=747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}